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| ProdID: 9308 - Claude Megson ArchitectWritten byGiles Reid and Jackie Meiring | Product Score: 10.0 |
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From the 1960s until his death in 1994, New Zealand architect Claude Megson forged a significant body of experimental houses - typically abstract and fantastical, they could seem almost unfathomable in their complexity. "Claude Megson Architect" examines the arc of Megson's career, bringing together new photography and 150+ of his remarkable drawings. It both celebrates and illuminates his work, at a time when his legacy is being newly appreciated. |
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It is refreshing to find a book on a specialist topic that is accessible to ordinary readers - not just those who are experts in the field. In common with many of these ordinary readers, I found "Claude Megson Architect" both interesting and informative. The large number of photographs, house plans, and sketches complement the text, illustrating each statement with visual evidence. Without the latter, some of the text would be challenging to follow; the justaposition of words and graphics, however, offers an integrated impression of Megson's accomplishments. The book is divided into three sections The first, which is best read before the other two sections are consulted, offers a brief history of Megson's life, his world vision, and his creative accomplishments. He is depicted as a gifted artist with a unique perspective on design, and a sometimes unorthodox way of realising his ambitions. Megson is also described warts and all; the reader gains the impression that he was not always the easiest person to get on with! Those who influenced him are referenced, but those whose work he did not appreciate are also featured. The most tragic aspect of his story is the way that his office was ravaged after his death with many of his sketchbooks and photos removed by various people. Although some of his data was safely stored in other places (notably the Architecture Archive at the University of Auckland, and the collection maintained by his sister), there is much that is still missing. The second section, which forms the bulk of the book, includes 34 chapters on completed buildings, and a further compilation of 19 single sketches and photographs ("Further Work"). Descriptions in each chapter are interwoven with illustrations, identifying aspects specific to the building and linking architectural elements to Megson's other works and those of others. Although there are similarities in design, each building offers a unique blend of shape and angle. For me, as a non-professional, this made it easy to identify some common geometrical features. Different levels, box and diamond shapes, steep pitch, and stairs are frequently used for effect. Outside areas also have an important place in the houses described in the book. There were some that particularly appealed to me. The clean lines of the Allen house, the light interiors, and the inclusion of a swimming pool would all be selling points - its contemporary appearance makes it appear ageless. I was also drawn to the Wong house, which predates the Allen House by over 20 years, but includes the same characteristics of light interiors and easy outside access. The stained glass window is a stunning addition to the staircase area. Lastly, the Germann townhouses with their landscaped outside area are an example of how upmarket "terraced houses" might appear. The third and last section - the End Matter - comprises the references and indices to the main content in Section 2. Comprehensive supporting notes on each of the houses will be of use to those who wish to learn more about their background. This is information that could not be expanded within the chapters proper due to spacing or copyright restraints. For a student, these references will be invaluable. In the End Matter are also acknowledgements and brief bios of author Giles Reid and photographer Jackie Meiring. Finally, there is a full index to the first two sections. There is one final comment in the book's favour. It is large (424 pages) and expensive, yet marketed as a paperback. However, the pages are heavier than those normally used in a paperback, and the cover is much stronger. In terms of durability, it should offer the same protection as that afforded by a board cover. Altogether, the binding is much more professional than might normally be expected in a regular paperback. |
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| Printed at 12:56:50am on Sunday 05th April 2026 |
